White Masquerade
QuirkyAngel's Red Oni
Got it.Arkytior said:You'll have to wait a day or two. The internet at my dad's is acting up
WelcomeHanjizoe said:Alright I'm up
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Got it.Arkytior said:You'll have to wait a day or two. The internet at my dad's is acting up
WelcomeHanjizoe said:Alright I'm up
The Four Heavenly Kings are Minamoto no Yorimitsu (Raikou)'s faithful companions. The most well-known is probably Kintoki, Fate/Grand Order's top tier Golden Berserker. The other four are Watanabe no Tsuna, Uraba no Suetaka, and Usui Sadamitsu.White Masquerade] [URL="https://www.rpnation.com/profile/14769-gasmaskie/ said:@GasMaskie[/URL]
Okay you lost me again. Four Heavenly kings are who? ._.
Being raised as a tool for murder and world domination had a large effect on Kouki, but it's what happened right before joining the group that changed him completely and started his transformation. It wasn't really possible for him to regret anything, since he didn't care about anything even by the slightest amount, including his own death. He only kept living to find interesting things and explore the world like a naive five year-old child, which he essentially is, considering that's the age where everything changed and he hasn't mentally aged beyond that point. He could end up in any situation, since his life has no value to anyone that's alive, aside from being used as a murder tool again.GasMaskie said:The more I think about it, the more Kouki starts to resemble Souichiro Kuzuki from F/SN. At least before he met Caster and found something to devote his life to. Namely, how Kuzuki had been raised by an organization as an assassin and a tool. His lack of morality stemming from his upbringing eventually 'evolves' into "As long as it's something I don't regret, it's fine in the end." Kuzuki actually fulfills his mission of killing his target but then goes through an existential crisis where he actually begins to re-evaluate his life. I can't exactly see where Kouki will end up aside from just flat out dying as you've brought up on occasion.
Then again, Kouki was originally represented by an image of Juuzou if I'm remembering correctly and their characterization seemed really similar with his early posts. I wasn't a huge fan of Juuzou, but I found his character arc rather poignant and more enjoyable than say, Kaneki's. Too bad he hasn't done anything of note since the Auction, I liked the one-shot Ishida did about him and his subordinate since it was a great preview of how much he's changed since Shinohara's effective character death.
White Masquerade]Haha. That I did not know about. You were going to draw the frames? That is insane you know that? [/QUOTE] I was going to draw the frames said:[/URL]
Gotcha. I've heard the name Kintoki before definitely, but the rest are new to me (' :| )GasMaskie said:The Four Heavenly Kings are Minamoto no Yorimitsu (Raikou)'s faithful companions. The most well-known is probably Kintoki, Fate/Grand Order's top tier Golden Berserker. The other four are Watanabe no Tsuna, Uraba no Suetaka, and Usui Sadamitsu.
The speed does seem a bit off, which is usually sequence issue of spreading frames, since even a .2 FPS difference can make a large impact on the final product. It may have been to fit the usual time constraints of an OP or to get people hyped up with fast-paced action. They could have done a better job of showing off the impact and the mass of the characters, but Kirito's blade seems fine in terms of weight, since the not-lightsaber would have an insignificant amount of weight in real life, ignoring the handle section.GasMaskie said:I kind of wish that the action sequence ran slower in the final product. As it is, it doesn't really show off the weight of the characters and almost seems unnatural because of how quick they are, especially on the bridge. Though, that may have been their intentions since Kirito's handling a lightsaber knock-off and everyone in the arc was using firearms. Still, I prefer the first opening's action sequence against the boss since his movements did a better job of showing off the heaviness of the boss monster's blade. Kind of reminded me of Escaflowne's opening, probably one of my favorite little scenes in an anime opening because they really emphasized that these were gigantic robots dueling with swords.
I'm aware of Bones' problem with sequels, since I had to endure what became of Darker than Black. As a kid, I liked watching Eureka 7 for the Lifting scenes just as much as the giant robots.GasMaskie said:Sword of the Stranger was visual sex and Bones has proven time and time again that they're masters of choreography. Too bad they're complete garbage at second seasons or sequels. Eureka Seven's probably my favorite of their original works because they completely nailed the surfer-like movement of the LFOs and also Itano-style tracking on lasers.
12:03 for the E7 sequence, but the rest of the video shows off Itano's work in various anime.
(TAT) Bruce will be missed Dearly
LMAO.Anybody said:(TAT) Bruce will be missed Dearly
RIP Bruce.