geminiy
v tired
Ezra Gray
@EZGoing has set their status to:
wink wink
@EZGoing has set their outfit to:
dilf energy, probably (shirtless + open button down bc he's a whore)
@EZGoing has set their location to:
outside the film studio
@EZGoing has mentioned:
n/a
@EZGoing has interacted with:
Auguste & Chas
@EZGoing has tagged:
qunqun hery
wink wink
@EZGoing has set their outfit to:
dilf energy, probably (shirtless + open button down bc he's a whore)
@EZGoing has set their location to:
outside the film studio
@EZGoing has mentioned:
n/a
@EZGoing has interacted with:
Auguste & Chas
@EZGoing has tagged:
qunqun hery
Ezra loved toying with individuals who possessed extreme amounts of fake authority which is precisely why, no matter how much Chas ranted and raved and ordered and yelled, Ezra couldn’t wipe the smirk from his face. Little Marino was quite possibly one of the most insufferable assholes that Ezra had ever had the pleasure of acquainting himself with and he certainly kept up the act that he had very publicly vowed to have.
Unfortunately, while others could believe that the bossiness and the anger and the extremities was a part of Chas’ authentic self, Ezra much preferred to believe that it was, as he had just stated, all an act. Every act must end and hell, Ezra was making sure that he would be around for when the curtains pulled closed and the peering eyes of the audience were pulled away to reveal the truth behind the angry director.
"No. If I'm letting you stay as Ezra's assistant, I'm your boss. It's the chain of command around here."
Ezra’s sculpted jaw turned to allow him to peer over his shoulder at the boy behind him, a wolfish grin tugging the dimples out onto his cheeks.
“Oh, is that so?” He asked through a deep laugh. “How sweet that you think I’m here for you at all. We’ve been over this, Chas.” Ezra continued as he walked to his work station, entirely unphased by the situation. With a delicate grasp, Ezra picked one of the prop guns off of the table and held it up to the light, thumb brushing along the detailing he had done the day before. “I’m here as your equal, a private contractor if you will. I am not here to be bossed around by anyone so if that is your objective, I will be more than happy to leave and take my work I’ve done with me. Furthermore, Auguste is here for me and no one else. He does not and will not answer to you.”
Chas continued to talk and thus, Ezra continued to ignore him. While a rant about missing blueprints or diagrams or something of the sort (once again, Ezra was hardly paying attention even though he was certain that he was being blamed for whatever mishap had occurred) echoed through the studio, Ezra reached over and grabbed a small set of pliers and carefully snipped away the excess plastic edging, small shavings of gunmetal grey fluttering to the ground.
"...must have moved it. Go find it. And go grab coffee from the staff lounge. Now go, assistant! Out of my sight! I have private matters to discuss with your lesser superior."
Ezra’s arm shot out, pliers still in his grasp, to block Auguste from leaving as his eyes continued to scan the gun. “I do believe Auguste has a name that deserves to be used. He also, as I previously stated, is not your ‘assistant’. He’s here to help me and nothing more.”
Slowly, Ezra lowered his arm from in front of Auguste to flip the pliers into the air, grabbing them with his opposite hand and placing them carefully into the toolbelt he had pulled them from. Flipping open a large binder of paint swatches, Ezra flicked through the pages and stopped on a sheet with multiple different shades of grey.
“I’m thinking I will go with a more smokey or pebble grey,” Ezra thought aloud, “but I am also partial to a charcoal for the detailing and weathering. Plastic isn’t my usual medium so I’m afraid of the paint running or becoming needlessly streaky upon application. What do you think, Auguste: pebble or charcoal?”
Holding both swatches up to the dancer, Ezra looked over at Chas and allowed his smirk to falter as he looked the smaller boy over. No, he wasn’t content with the frustration yet. Ezra would simply have to continue to evade.
Turning on his heel and leaving the paint swatches with Auguste, Ezra pulled out a few background clay pieces he had thrown together and laid them out on the table. He took his sweet time looking them over, each piece getting his pure undivided attention as he scanned for cracks or bubbles. Raising a hand, Ezra waved over Auguste and indicated the rough edges around the mouth of a vase.
“Would you be able to sand this down for me?” Ezra asked politely as he grabbed a specific grit of sandpaper. “Here,” he said, placing the sandpaper in Auguste’s hand, “you have to be gentle with the clay, otherwise it could crack. These pieces are sturdy enough but go easy, like this.”
Flipping Auguste’s hand over, Ezra placed his own hand on top of it and forced both hands to move in the gentle circular motion that he had become so accustomed to performing over the years.
“Once the roughness is gone, you can look over the other pieces and look for the same thing. You’re looking for ridges, bumps, jagged pieces, unevenness. I’m sure someone so analytical as yourself can manage that.” Ezra instructed clearly with a gentle pat on Auguste’s back. His blue eyes looked over at Chas before gently rolling to look back at the dancer. “Excuse me for a moment, clearly someone can’t handle speaking publicly.”
With a playful wink, Ezra walked away from the table and directly past Chas, his hands tucked in his front pockets with the sides of his open button down fluttering at his side. Shoving the door to the studio open with his hip, Ezra stepped through the door and held it open for Chas, only allowing it to quietly shut behind him. Leaning against the wall nestled behind the door, Ezra pulled his hands from his pockets and crossed them over his chest.
“You just couldn’t wait to get me alone, hm? You certainly need to work on your manners, asking a guy nicely for some private time goes a lot further than your weak attempts at bossing me around.” Ezra teased with a grin. “Now, what is this ever so pressing private matter you needed to discuss with me?”
Unfortunately, while others could believe that the bossiness and the anger and the extremities was a part of Chas’ authentic self, Ezra much preferred to believe that it was, as he had just stated, all an act. Every act must end and hell, Ezra was making sure that he would be around for when the curtains pulled closed and the peering eyes of the audience were pulled away to reveal the truth behind the angry director.
"No. If I'm letting you stay as Ezra's assistant, I'm your boss. It's the chain of command around here."
Ezra’s sculpted jaw turned to allow him to peer over his shoulder at the boy behind him, a wolfish grin tugging the dimples out onto his cheeks.
“Oh, is that so?” He asked through a deep laugh. “How sweet that you think I’m here for you at all. We’ve been over this, Chas.” Ezra continued as he walked to his work station, entirely unphased by the situation. With a delicate grasp, Ezra picked one of the prop guns off of the table and held it up to the light, thumb brushing along the detailing he had done the day before. “I’m here as your equal, a private contractor if you will. I am not here to be bossed around by anyone so if that is your objective, I will be more than happy to leave and take my work I’ve done with me. Furthermore, Auguste is here for me and no one else. He does not and will not answer to you.”
Chas continued to talk and thus, Ezra continued to ignore him. While a rant about missing blueprints or diagrams or something of the sort (once again, Ezra was hardly paying attention even though he was certain that he was being blamed for whatever mishap had occurred) echoed through the studio, Ezra reached over and grabbed a small set of pliers and carefully snipped away the excess plastic edging, small shavings of gunmetal grey fluttering to the ground.
"...must have moved it. Go find it. And go grab coffee from the staff lounge. Now go, assistant! Out of my sight! I have private matters to discuss with your lesser superior."
Ezra’s arm shot out, pliers still in his grasp, to block Auguste from leaving as his eyes continued to scan the gun. “I do believe Auguste has a name that deserves to be used. He also, as I previously stated, is not your ‘assistant’. He’s here to help me and nothing more.”
Slowly, Ezra lowered his arm from in front of Auguste to flip the pliers into the air, grabbing them with his opposite hand and placing them carefully into the toolbelt he had pulled them from. Flipping open a large binder of paint swatches, Ezra flicked through the pages and stopped on a sheet with multiple different shades of grey.
“I’m thinking I will go with a more smokey or pebble grey,” Ezra thought aloud, “but I am also partial to a charcoal for the detailing and weathering. Plastic isn’t my usual medium so I’m afraid of the paint running or becoming needlessly streaky upon application. What do you think, Auguste: pebble or charcoal?”
Holding both swatches up to the dancer, Ezra looked over at Chas and allowed his smirk to falter as he looked the smaller boy over. No, he wasn’t content with the frustration yet. Ezra would simply have to continue to evade.
Turning on his heel and leaving the paint swatches with Auguste, Ezra pulled out a few background clay pieces he had thrown together and laid them out on the table. He took his sweet time looking them over, each piece getting his pure undivided attention as he scanned for cracks or bubbles. Raising a hand, Ezra waved over Auguste and indicated the rough edges around the mouth of a vase.
“Would you be able to sand this down for me?” Ezra asked politely as he grabbed a specific grit of sandpaper. “Here,” he said, placing the sandpaper in Auguste’s hand, “you have to be gentle with the clay, otherwise it could crack. These pieces are sturdy enough but go easy, like this.”
Flipping Auguste’s hand over, Ezra placed his own hand on top of it and forced both hands to move in the gentle circular motion that he had become so accustomed to performing over the years.
“Once the roughness is gone, you can look over the other pieces and look for the same thing. You’re looking for ridges, bumps, jagged pieces, unevenness. I’m sure someone so analytical as yourself can manage that.” Ezra instructed clearly with a gentle pat on Auguste’s back. His blue eyes looked over at Chas before gently rolling to look back at the dancer. “Excuse me for a moment, clearly someone can’t handle speaking publicly.”
With a playful wink, Ezra walked away from the table and directly past Chas, his hands tucked in his front pockets with the sides of his open button down fluttering at his side. Shoving the door to the studio open with his hip, Ezra stepped through the door and held it open for Chas, only allowing it to quietly shut behind him. Leaning against the wall nestled behind the door, Ezra pulled his hands from his pockets and crossed them over his chest.
“You just couldn’t wait to get me alone, hm? You certainly need to work on your manners, asking a guy nicely for some private time goes a lot further than your weak attempts at bossing me around.” Ezra teased with a grin. “Now, what is this ever so pressing private matter you needed to discuss with me?”