hellrazoromega
Department of Redundancy Department.
I agree to a point. Surely I agree with the point about when death occurs, in the film Serenity the last part of the film was as tense as any I have watched in a long time. After Wash's death (and Book's earlier) all bets were off and the tension was palpable that anyone could die--even though no one else did. The danger with over doing death is that it becomes so common place that no one wants to risk becoming attached to any character---and that is a shame IMO. Also it leads to patterns--In Song of Fire and Ice the pattern is that if you stick to a cause or principle you are toast, if you are willing to be ruthless and flexible you will survive (as with real life there are of course exceptions, but they are rare).augmentedspartan said:@hellrazoromega I also can't get much into the Song of Fire and Ice. Not because of characters death, but more about the way its written. There is a reason why his killing of characters seems to be effective because, as he himself said, there is more tension when a character is in a dangerous situation since they have a big chance of dying, making the tense moments more impacting, thus more effective. However, I also see the downside you and @Kaerri said. The appeal of some stories are the characters themselves, so the appeal of the book is lost when they die. I think that its more effective when important characters die at the middle-end of the book for single novels, and in series during the last few books. You get enough of the character to be satisfied, but you also get the effect of danger when other characters are in perilous moments.
On Lovecraftian writers, have you read August Derleth? There are mixed opinions on what he did with the Mythos (Cthulhu Mythos being a term he actually coined) but he is one of the few who wrote stories in the Mythos and was a friend and corespondent of Lovecraft himself. Many of the Old Ones that are considered canon today such as, Cthugha, Hastur and Ithaqua were created by Derleth. Some would argue that Robert Howard (also a friend and corespondent of Lovecraft) used elements of Lovecraft's stories in some of his Kull, Conan and other writings. Some were subtle and others not so subtle allusions to what we now call the Cuthulhu Mythos.