Poetry I wrote you some flowers

Once upon a time, the Moon was covered in spirits. So too was the Earth. The two places were very similar, and one could scarcely tell which orb they were on until they looked up and saw the other hanging in the sky. The spirits were filled with boundless, chaotic energy which would melt the rock they passed over, and, as soon as it was cool, they would pass back over. The spirits of the Moon were in love with the spirits of the Earth: each step of each spirit upon Earth's great surface would be mirrored in millions upon the Moon in a dance of infinite splendour which turned whole continents back to the lava from which they formed.

To love the spirits of the Earth was natural: the Earth was so massive and was the sole reason for the Moon's existence. The Moon herself danced around and around the Earth and would never dare turn her face away, lest she loses sight of her greater partner. In those days, she sat eternally in the night so as to never block the light of the Sun. The spirits of the Moon were madly in love with the spirits of the Earth, but they did not love themselves. The moon was small and crowded, there was no atmosphere, no great electric field. The spirits of the Moon were not worth loving. The only dances they knew they had learned from the spirits of the Earth below them and they did not dare try new ones for they knew they could never compare.

The spirits of the Earth hardly knew that there were spirits on the Moon. They would search for infinity for a partner for their dances and never see the Moon spirits dancing with them only because their dances of the Moon spirits would only be seen at night, while the Earth spirits slept. The spirits of the Earth were lonely. Infinitely lonely. The Moon spirits could feel their sorrow in their dances and knew that they were not good enough to be seen. They were worthless. Their love would forever be silenced by night.

Yet, the Moon spirits knew that the Earth spirits deserved better. One night, they resolved to dance so hard they would pull the moon back and into the sunset so that they could be seen in the day. All of the spirits of the Moon began to dance a new, wondrous dance. It was not one that they had learned from the Earth but rather one they had learned from Love itself. With all their power, they pushed against the momentum of their great astral body, retrograde into the sunset, using their energy and their love to slow the Moon. With the heat of a million souls, they pushed harder and harder and harder. One by one, their heat gave out. Millions of spirits across the moon would burn away and fade, only barely slowing the Moon. By the time they had reached the sunset, all of the spirits of the Moon were gone. In fifteen days, when the Moon had made its way back to sunrise, the spirits of the Earth could finally see what remained. The Moon, once boundless in its energy, full of the life of the dance, was now mere rock in the sky, pocked with holes made by the dying dances of her spirits. The spirits of the Earth understood now that they had now lost what they had always been looking for and never knew they had all along: someone to love. The spirits of the Earth wept salty tears for eons, and their tears formed the oceans, which still now dance in the way that the spirits of the Moon once had.
 
Tell me where is the meaning in this lonesome road whose end is near and bares no distributary. Tell me where is the beauty in this mindless meander down paths which no man shall ever walk again. Tell me where is the reason why this road must continue and be paved and be walked down. Tell me where I can finally rest.
 
Wood's Hymn - Norbert Krapf

I stood deep
in those woods,
eyes wide open
for the shapes
of leaves, ears
tuned to the cries
of birds and cuttings
of box squirrels.

……………….

To breathe the air
of the woods was
to give thanks for
what was there
and nowhere else

and stood in need
of no thanks for
being what it was.
 
I used to sing her to sleep.
My fingers would fall in their clumsy ways upon my guitar
and the vibrations would let loose rapture in sound
and a slightest move toward major chord
would be that of magnificence in the ear
and those tender dissonances of the minor would be that of the sublime in their terrifying breadth of meaning.
In an empty world, there was meaning.
In a useless life, there was purpose.
In those moments, reality was real and wonderful.

Now in the night there is only the songs of the cicada.
Now there is rust upon the strings and an atrophy in the throat
which has no use in the silence that remains.
 
i remebemrer when miles the davis made jazz 2
he released it in poland in the ywar 1982
it was hard to listen to but
it was luek jazz but evern better :)
 
Hey my poems might not be good but this is the longest running writing thread (by posts) anywhere on the site and I’m popping off.

By a metric that I made up, I am the “best” writer and poet on a small internet website that has a global community, therefore my Twitter bio can now confidently say “Best writer in the world” and it’s not completely a lie and I bet none of you can claim that.
 
I can feel the emptiness when you speak
When I tell you I love you
and get silence in return.

I can feel the anger in the mirror
When I look at myself
And know I’m not good enough.

But then I feel okay
When I look into your eyes
And in my dreams run my fingers through your hair.

But I still feel the emptiness when you speak
And it tears me apart.
 
life is a box of cap'n crunch
that's sometimes stale
and sometimes filled with worms
and sometimes it's all berries
(even the cap'n makes mistakes)

and sometimes it's empty
and you get to move on
to a better cereal

but for me, it's just cap'n crunch
and i hate cap'n crunch
 
I heard a man's life being ruined
over the telephone
as he walked beside me.

I hear his cries
of I want my family back
over the chirping of the mourning doves.
He's desperately stumbling
his feet, fumbling
over the concrete as he walked beside me.

He promises money and I wonder
can he get it
as I pass under evergreen fronds.

He passes on and I linger
on the front porch of my house
as he screams and he cries.

I heard a man's life being ruined
over the telephone
as he walked beside me.

I heard a man's life being ruined
and the doves still chirped
from the branches of green
under a cerulean sky.
 
When I feel angry
I feel like Darth Vader
But not in the force choke scene

I feel like in Empire
In the ATST on Hoth
Where he's in a little hologram

He's three inches tall
But he puts his hands on his hip
Like he's a threat
 
I used to write poems
for all those pretty girls
who reminded me of you.

Now I think of you and I realize
nothing will ever be you
and nothing will ever make me whole.
 
i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart (i carry it in my heart)

~~

e. e. cummings - i carry your heart with me
 
The water is wide.
I cannot cross over
and neither have
the wings to soar.

Build me a boat
that can carry two
so I may cross
and see my love once more.
 
A thousand roads diverged in the tulip and sycamore wood
And sorry I could not travel all
And be one traveler long I stood
And looked down all as far as I could
But sat still and waited for one to call

But never one did and though I knew
I could take any path I so chose
“You don’t deserve them” spoke the dew
And “You deserve to suffer” was the sparrow’s coo
And so where the roads diverged, I froze

Though now I speak from far down one road
I still sorrow for the travelers who passed me by
For a thousand roads diverged in that wood
And I just waited, so still I stood
And that has made all the difference.
 
One day, we will have that beach, that eternal horizon, that unceasing dawn.
It will be long after I am dead,
in another time,
on another world,
in a different song.

That dawn will come, no matter how dark the night, no matter how long.
We will be hand in hand
toes in the sand
of the shores of eternity;
just you, me, and the dawn.

It’s been too long since my sun set over the Indiana hills
It’s been so cold
and lonely
and tiring
and longer must I wait still.

Though I will keep waiting, my dear:
waiting until the last rays of the dusk are gone.
 
It's always tempting to linger
where infinite possibilities exist
but until you move forward
there are only possibilities.
 
One day there will be a day
And that day will be on that day
And we will buy a giant house
And that house will be our house
And we will buy a queen-sized bed
And set it sailing on the sea
And then we can both rest our heads
On our queen bed just you and me
Oh just you and me, out on the sea
And happ’ly married we shall be
Out on the waves out on the sea
Out on the waves just you and me.
 
Did you read the poems? What about them seemed unsad or unedgy? Write. Negative emotions are a part of you. They are essential to you, and who you are as an artist. If you deny your art negative emotions, you're denying yourself the full ability of your art. You don't have to share everything you write, and not everything you write needs to fit your own standards. It's okay if you write something and you think "huh this is shit" because it's still your writing, and all that matters is if your art is you.
Yeah, this is so true.
 

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