starboob
lover / leaver
☉ LIORA TRIHN ☉
The thing about the gold stars... The thing that Declan failed to mention about them, conveniently, because somehow even an All Seeing Owl forgets, is that the gold stars really do appear on her forehead. And are supposed to last a few hours. Oh, Liora is NOT pleased and she is about to get up and quit before she can be humiliated any further except that Declan then informs her that if she quits then the gold star will stay. Apparently, they'll only fade once she has all three.
So, begrudgingly, she subjugates herself to short-term humiliation. For who's benefit? She's not sure, because this seems like it has no purpose and is just a prank––and, Christ, if Declan wants to play pranks she is advised against it; Liora doesn't do pranks. She does entire sting operations that may or may not result in total social annihilation (okay, one time and it was pretty much deserved). However, Declan clarifies shortly after those thoughts stampede through the brain scape, "I cannot be defeathered and roasted, Liora. I am not actually an owl––this form is just all you can handle to see; my true form would probably give you nightmares. Anyway, you care too much about what other people think and that is impacting your ability to fail––a necessary part of creativity. I know, I know a very backwards concept to your perfectionism affliction––but don't worry, Liora. I fully believe in your ability to fail. "
The words are not encouraging. Success cannot mean failure even with Declan's explanation the anal woman cannot wrap her mind around the concept (not yet). "Yeah, right, whatever." She looks over the clouds, resting her hands behind her head as they skate across the sky. "There's a sunflower and a lizard. The lizard is admiring the sunflower. The sunflower keeps the coldblooded lizard warm, somehow, because it's fiction and fiction doesn't ever make any fucking sense," she pauses, her gaze narrowing as the sunflower starts to whisk away. "The lizard misses the sunflower. She's upset that it's gone, because the sunflower had been her only source of warmth and now it's gone." Her brows knit together. "Or maybe... It's the lizard that left the sunflower... I don't know."
"Why did you change the story, Liora?"
She shrugs as the lizard disappears from the clouds too. "It's just a story." There is no need to read into it like an overzealous literature major (what a waste of a major, too––why get a degree in reading? You can read in a lot of other majors too––majors that are actually worthwhile like political science). Though if one were going to overanalyze it like a literature student, they might find guilt between the subtle admittance. "Is it worth a star or not?" Back to business.
"Yes, yes, here's your second star––this doesn't have to be a race––I'd like to think we're bonding too." (Liora rolls her eyes at this suggestion and another star appears on her forehead.) "If I like this next story enough, maybe those stars will disappear sooner than later."
Even with that motivation, Liora isn't sure she can deliver the epic or whatever it is that her instructor is searching for––it almost feels impossible. It almost feels as if the goal is unclear and undefined and that she isn't supposed to know it, she is just suppose to achieve it and then some. How can she do this right if no one tells her what right is? And even if Declan says there is no right or wrong, there does seem to be a standard since she has rejected some of her trite stories. Of course, what remains out of Liora's field of view is that Declan only rejects the stories where she is not trying––had she put in some effort, Declan may have at least offered her something more constructive for her to chew on. But the owl doesn't believe she really needs those nudges––she needs a shove in the creative vortex.
"Once a upon a fucking time," she starts, finding a cluster that resemble something of chrysalis. "There was worthless little worm who thought he could become a butterfly. If he tried hard enough, he could grow wings and become something more than the Earth's composter. In fact, a butterfly even fed him the stupid idea that he could become whatever he wanted if just tried," she sucks in a breath and holds it. (Then another and another, until she's holding composure like a life line.) "And of course, the worm, seeing how magnificent the butterfly was wanted to be a butterfly herself too. But whenever the worm tried to make a chrysalis, the butterfly just laughed, because she knew the worm was trying and she knew the worm couldn't become a butterfly. But she kept telling the worm that if she just wasn't trying hard enough and if she tried harder and harder and harder then eventually she could have her pretty wings."
(It doesn't mean anything. Projecting is for therapists.)
"What happens next? Does the worm get a happy ending?" Declan asks.
"An owl eats the worm. The end," she mutters turning her head and looking over at Inna. (Who isn't on fire anymore and that relieves her, because good. Inna learned her balance.)
"Oh, come on––you need to be more veiled than that, Liora. Give your audience something to root for!"
"Well the worm didn't become a butterfly, because that's not how biology works," she closes her eyes. "The worm didn't become anything. Just kept trying to make a chrysalis while the butterfly laughed and continued with her cruel criticism! Eventually the worm couldn't take it anymore and just. Left. Joined a worm gang." Her arms cross over her chest and she sits up, looking expectantly at the owl. She doesn't want to be in this classroom anymore. She doesn't want to be in Italy. She doesn't want to be part of this prophecy––because maybe her whole life she had spent wanting to find her story in this bigger picture, but maybe she wished for that too often because saving the world seems like a Sisyphean task. (It would be just like her to take on something as grand as this just to feel important.)
"Fine. A little derivative, but originality and creativity are not mutually exclusive! So, here is your third star," the owl waves a wing and the third star appears on her forehead. "They should fade in a half hour. We can break for now, my padawan."
She doesn't need to be told twice––as soon as class is dismissed, she gathers herself from the grass and makes her way over to Inna like she's running away from whatever the lesson is bringing up for her. While it would have made sense for her to run off, it is interesting that she chooses to checking on Inna to solitude. For some reason, her instinctive response is to find her. Probably because the blonde has been the one constant in all the weirdness of the past few days––everyone else who had been part of this experience has more or less ended up dead (i.e., their teammates, the ship crew, the kraken, probably more to come). Logically, it makes sense to check on her to see how her lesson went. Especially since she got the sadistic sword––Inna will probably have something colorful to say about the experience and, though she won't admit it, she is curious about, perhaps even anticipating, what she'll come up with.
And without assessing the situation that she is plopping into, she falls next to Inna in a huff with her legs crossed. "Well, this has been the worst educational experience of my life," she starts, not yet realizing that her partner is crying. However, when she notices that the other is shaking, her expression reflects her concern; the sobs that follow only cause her to think, 'What the fuck...' This is disturbing. For a myriad of reasons. But primarily, because she doesn't have a lot of experience consoling others (let alone herself) and she had never thought Inna to be the crying type. (There are actually a lot of things about Inna she has not thought about. And the more she thinks about it, the more she realizes how little she knows about the blonde. She doesn't even know something as basic as her favorite color.) It's surprising that someone she had thought was too strong to cry, even above the reaction entirely, is now reduced to the fetal position. (Does Liora even think this is weak? She isn't sure.)
"Oh, you're crying," Captain Obvious says rather uselessly. She curls her knees into chest with her chin resting on top. For the most part she stays quiet and watches, exuding all awkwardness instead of comfort. And she does want to help. There is a part of her that wants to help. That doesn't want to see Inna in pain. But wherever that part of her is located, it is a weak muscle and she doesn't know how to flex it.
"These sword teachers fucking suck." Yeah, yup, she's pretty much useless and maybe she wouldn't have cared about being useless with handling other people's feelings if the other people in question weren't Inna Orlovskaya (... it's important that team morale remain high). "I think we can ditch them if we walk away without thinking about the fact that we're walking away..."