Squad141
The Purple Soul
MEDJED: As your guide, it is my job to allow you to progress in this 'game'.
MEDJED: Learning the basics of combat is one of the main features, so you must learn it anew solo.
MEDJED: And yes, those points are your currency that allow you to create things with Alchemy.
You decide that enough is enough, and leave the shack.
You can apparently make new stuff now in Alchemy.
Orikanyo
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The objects are blackened with age and rot, that you can barely tell what they are when you pass them by.
But as you reach the door, your brain registers what they are.
Corpses.
Specifically, corpses of children your age. Looking back, you realize you were inspecting the corpse of what seemed to be your friend Enid.
Oh no.
But before you can process anything else, you accidentally open the door.
You are now in a sort of study.
A fireplace crackles in the marble fireplace, decorated with strange gothic cherubs staring down at you from the fireplaces shelf.
The room itself is very clean, with many bird-cages covered in sheets and an old granite desk sitting in front of the fire.
There are many sheets scattered on the desks, which you cannot read from your vantage point.
You hear a small noise, and finally notice a smaller gray door by the fireplace, leading out of the office like space.
Kimona
MEDJED: Learning the basics of combat is one of the main features, so you must learn it anew solo.
MEDJED: And yes, those points are your currency that allow you to create things with Alchemy.
You decide that enough is enough, and leave the shack.
You can apparently make new stuff now in Alchemy.
Orikanyo
--------------------------------------------------
The objects are blackened with age and rot, that you can barely tell what they are when you pass them by.
But as you reach the door, your brain registers what they are.
Corpses.
Specifically, corpses of children your age. Looking back, you realize you were inspecting the corpse of what seemed to be your friend Enid.
Oh no.
But before you can process anything else, you accidentally open the door.
You are now in a sort of study.
A fireplace crackles in the marble fireplace, decorated with strange gothic cherubs staring down at you from the fireplaces shelf.
The room itself is very clean, with many bird-cages covered in sheets and an old granite desk sitting in front of the fire.
There are many sheets scattered on the desks, which you cannot read from your vantage point.
You hear a small noise, and finally notice a smaller gray door by the fireplace, leading out of the office like space.
Kimona