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lisbeth

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β–Žβ Everybody has secrets, the trick is just finding out what they are. ❞
β€”The Girl with the Dragon Tattoo (2011)

INTRODUCTION;

(If anything interests you, please PM me instead of responding to this thread, ty!)

Hello, my loves, I hope you're doing well, especially during these difficult times. I’m Lady (or Lia, feel free to call me either); I go by she/her, they/them pronouns; and I’m currently studying an English and Creative writing degree at university.

When you message me, rather than a brief 'Hi I would like to roleplay this', I'd appreciate it if you could tell me the odd thing about yourself, what you're interested in writing with me, your writing preferences, etc.

If I've disappeared at any stage (you had just messaged me, we were plotting, or had started an RP) I’m really sorry; life unfortunately got the better of me. If you would like to pick up where we left off, or start something new, please don’t hesitate to get in contact.

Happy reading! < 3


THINGS TO NOTE;

ONE. I am twenty, so for that reason I ask that my partners are at least eighteen (although, I'll accept it if you aren't far off it).

TWO. As a member of the LGBT+ community, and as I am also neurodivergent, I’m sure this is a given but I do not accept bigotry of any kind.

On that note, I write a diverse array of characters: of all ages, ethnic backgrounds, gender identities, sexualities, ailments and conditions. I would love it if you do the same.

THREE. I usually write a minimum of five hundred words and I can reach 1,500 words, if I’m feeling particularly inspired. Although, I mostly mirror my partner’s length. Please never feel pressured to write a certain amount just for the sake of it; we all have times when we’re running low on muse and it can be unnecessarily stressful. All I ask is that you provide enough for me to work off.

FOUR. Please be patient with me. For a plethora of reasons, I can sometimes take a while to respond (both IC and OOC) and may sometimes take up to a few weeks to post in the roleplay. I’m trying my best, I promise. Although, feel free to nudge me after a week or so if I've gone radio silent. On the flipside, once again, don’t feel pressured to rush a post out. I can wait for as long as you need!

FIVE. I love a good bit of romance; any gender pairing is completely fine albeit FxF is the one I’ve had the most experience with. It isn’t necessary of course, so if romance isn’t your thing then I’m just as happy to do platonic, and especially found family!

SIX. I solely write in third person past tense and I ask that you do the same.

SEVEN. I use realistic face claims, except for certain fandoms, and I would appreciate it if you do the same, or just a written description is alright too.

EIGHT. There are a couple of things I won’t write: romance power dynamics (significant age difference, unless they’re both well into adulthood; or relationships such as Boss x Employee, Teacher x Student, Celebrity x Fan), extreme body horror, and OC's under eighteen; teenage CC's are fine, but I've written enough teenage OC's to last me a lifetimeβ€”however, Harry Potter is the only exception to this rule, where I will write teenage OC's. If you have any triggers please let me know.

NINE. I absolutely love getting to know those I’m writing with. We don’t need to be the best of friends, but I’d really like to talk with you casuallyβ€”not just about the RP. I adore creating mood boards, playlists, headcanons, even memes for our characters that we can gush over. My favourite roleplays are the ones where I became good friends with my partner.

TEN. I’d prefer to keep all roleplaying on site, though I’m happy to move over to Discord for OOC. Just ask me for my user!

ELEVEN. I’m 100% ghost friendly. Things come up in our personal lives and it’s terrifying telling your partner you can’t, or don’t want to, continue the RP; I truly understand. I won’t get on your case about it and there will be absolutely no hard feelings whatsoever if you disappear.

TWELVE. Honestly, I maybe a bit picky with choosing my partners, so whilst it’s certainly not a requirement (nor do I expect you to) I would very much appreciate it if you could send me a writing sample! It can be of anything, I don’t mind. It’s just to ensure our writing styles are compatible. Here's a sample of mine, for your consideration: Writing Sample. (I'm not expecting you to write nearly this much all the time; this is simply the writing sample I believe best showcases my writing capability).


INTERESTS;

(If you have any ideas that you think I maybe interested in I'm all ears!)
(* = craving || bold & capitalised = role/character I'm particularly interested in writing for || a line through = unavailable.)

GENRES.
➟ Thriller. ****
➟ Supernatural.
➟ Horror; *
(psychological horror, paranormal horror, non supernatural horror, cosmic horror).
➟ Science fiction; ****
(cyberpunk, steampunk, soft science fiction).
➟ Romance. ****
➟ Apocalyptic/post-apocalyptic.
➟ Neo-noir. ****
➟ Mystery. ****
➟ Gothic fiction. ****
➟ Spy fiction.
➟ Adventure.
➟ Crime fiction. *
➟ Dystopian. ****
➟ Superhero fiction. ****
➟ Fantasy;
(low fantasy, contemporary fantasy).
➟ Magical realism.
➟ Slice of life.​

PAIRINGS AND TROPES.
➟ SEASONED DETECTIVE x Rookie Detective.
➟ Sceptic x Conspiracy Fanatic.
➟ LGBT+ couple in conservative town.
➟ Superhero/Anti-hero x Villain.
➟ Enemies to lovers. **
➟ Best friends to lovers.
➟ Detective x Criminal.
➟ Found family. ***
➟ Partners in crime. ****
➟ Getaway driver x Civilian.​

CURRENT MEDIA INSPIRATION.
Doom Patrol, Blade Runner franchise, Normal People, Drive, Blade, Swamp Thing, The Matrix Trilogy, The Girl with the Dragon Tattoo, The VVitch, Coraline, Watchmen, Death Stranding, The Boys, IT, Bioshock franchise, Stalker, Constantine, Killing Eve, The Umbrella Academy, Casino Royale, The Suicide Squad, Se7en.​

CURRENT MUSIC INSPIRATION.
Immigrant Song – Karen O, Trent Reznor, Atticus Ross; Hero – Chad Kroeger, Josey Scott; Wake Up – Rage Against The Machine; Blade Runner 2049 – Synthwave Goose; Neon Knights – Black Sabbath; Hold Me, Thrill Me, Kiss Me, Kill Me – U2; People Like Us – Matt Bomer, Alan Mingo Jr; Heart Shaped Box – Nirvana; Perfect Day – Lou Reed; Kingslayer – Bring Me The Horizon, BABYMETAL; Discipline – Nine Inch Nails; Ghost – Au/Ra, Alan Walker; Heroes – David Bowie; Kiss from a Rose – Seal; Blue Monday – Orgy; Dead Butterflies – Architects; Short Change Hero – The Heavy; The Pure and the Damned – Oneohtrix Point Never, Iggy Pop; You Know My Name – Chris Cornell; I Don't Want To Set The World On Fire – The Ink Spots.​

FANDOMS.
Admittedly, fandoms are not currently at the top of my priority list. I generally prefer OC x OC for some of them, but I’m happy to write CC's, and follow specific universes, storylines, or create an AU entirely! If there’s a pairing/character you’re particularly looking for feel free to suggest it. I unfortunately don't have the energy to double, so don't worry about having to play a CC for me in return:

➟ Normal People; ****
(I’m solely looking to write the pairing of Connell Waldron and Marianne Sheridan, and I’m happy to write for either of them).
➟ Devil May Cry;
(CC x OC, CC x CC;
I’m willing to write for Dante, Vergil, Nero, V).
➟ DC; ****
(OC x OC, CC x OC, CC x CC;
I’m willing to write for CRAZY JANE, LARRY TRAINOR, Sofia Falcone, Abby Arcane, CLEO CAZO).
➟ Marvel;
(OC x OC, CC x OC, CC x CC;
I’m willing to write for Bucky Barnes, Loki, YELENA BELOVA).

➟ Resident Evil;
(OC x OC, CC x OC, CC x CC;
I’m willing to write for Leon Kennedy, Jill Valentine, Ethan Winters, Ada Wong).
➟ Harry Potter;
(OC x OC, CC x OC, CC x CC;
I’m willing to write for Fred Weasley, Remus Lupin, Draco Malfoy, Neville Longbottom).
➟ Teen Wolf;
(CC x OC, CC x CC;
I’m willing to write for Allison Argent, Stiles Stilinski, Malia Tate).​


PLOTS;

GOOD TIME.
Muse B has built a dignified life for themselves, and they have done everything to distance themselves from the past. Until Muse A, an old friend, suddenly appears on their doorstep.

But they haven’t seen each other in years. Muse A hasn’t changed a lot, stuck in the past and incapable of forgoing what once was; Muse B can’t help but feel contempt for them. Muse A is here for one reason: to bring their estranged friend home. Proposing they return to their hometown to have one weekend to experience their youth all over again, then they’ll be out of each other’s lives forever. Muse B is hesitant, but ultimately gives in.

Something is… different, though they can’t put their finger on it. Their hometown is not quite as they remember it. Soon enough, they realise drinking and awkward encounters are the least of their worries, and they will have to fight tooth and nail if they want to escape this town alive.


THY KINGDOM COME.
On a lowly island resides a utopian city, a sanctuary cut off from the rest of the world, designed for anyone wishing to restart their lives: whether it be because of personal trauma, simply wanting to escape their current situation, or otherwise.

The city has started to crumble: The crops are dying, livestock are becoming infertile, and their produce tainted, yet no one can figure out why. Combined with the recent disappearances of certain residents, the corruption of mainland society that they claim to reject, which has infested their community, will soon come to light, and it is eviller than anyone could have imagined.

EYES OF DECEIT. ****
Two agents a part of an undisclosed government branch are tasked with going undercover to infiltrate a secret society: their assignment taking them across multiple foreign countries. It will be a never-ending whirlwind of black-tie galas and the finest cocktails, rubbing shoulders with the most frightening people in the criminal underworld.

And it may be the most important mission in their careers yet.

CHASING SHADOWS.
In a last-ditch effort to revitalize their deteriorating career, Muse A attempts the ultimate gamble: helming their very own Broadway production in hopes of, once again, proving their worth as a real artist.

Muse A’s producer manages to cast esteemed and highly sought-after actor, Muse B, for the production. However, the two actor’s perspectives of how the play should go differ greatly, and Muse B is a lot harder to handle than Muse A anticipated. Unfortunately, Muse A cannot afford to drop them.​
 
Last edited:
BUMP!
had a bit of a sick day so i shall respond to any messages in the morning.
 

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