Just Feelin' Groovy... (Stew and Johnny R Mcavery)

[amended]

A 60's Beatles inspired RP.

​

 

[amended]

Fallon rides up in a taxi to the studio where his three other band members were waiting, the taxi driver lets him out and Fallon pulls out 10 dollars,

"Hey, pal, I only take exact cash!" Says the taxi driver,

"Well, why don't you keep the change?" Fallon says as he places the money on the dash,

"I said I only take exact cash, so either give me exact cash or else you ain't doin' business with me again!" The taxi driver says in an upset tone,

"Well, I never wanted to do business with you anyways, you bugger!" Fallon says. The taxi driver then takes the 10 dollars and throws it out the window at Fallon, Fallon simply picks up his money and walks away, a little upset. Fallon strolls into the studio to be greeted by a receptionist with a beehive hairstyle,

"Are you Fallon Mchenson?" The lady asks,

"Yeah, I am. I'll just head on up, you don't have to notify the lads if you don't want." Fallon says as he walks over to the stairs and proceeds up towards his studio.​

 

[Johnny R McAvery]

"There the bloody hell he is. I swear I thought you wouldn't show up." Said Gus who was currently sitting on a big speaker with one leg crossed over the other and a cigarette was light in his left hand. It had appeared as though he was keeping the other two entertained with some absurd lie, or story, or something else to that nature. "Well get in here, we got to record. We ain't got all day."

 

[amended]

Fallon chuckles as he walks over and picks up his guitar, he proceeds to turn it on and tune it,

"Hey, Gus, did you hear about these blokes called "The Silver Beatles"? They're apparently this British band who thinks they're going to go big places, they're just a bunch of goody-two-shoes, though." Fallon says as he finishes tuning his guitar.​

 

[Johnny R McAvery]

((I love you for that.))


"Ha. I'd like to see them try. We already know we are the best. Shit Even Rory Storm and the Hurricanes are better than they'll ever be." Said Gus as he let out a laugh at the idea of the a band named after a bug.

 

[amended]

Fallon chuckles as he strums on his guitar a couple of times,

"You got that right, anyways, let's get to this song. Jack, Bill, get on your instruments; gentlemen, start you engines!" Fallon says as he gets up to the microphone,

"A one, a two, a one, one, two, three and-" Fallon then plays an intro to the song on his guitar.​

 

[Johnny R McAvery]

Gus just shook his head as he swung off the speaker and went to his drum set and began playing a rhythmic tune. It had more a mellow sound than anything else and it played well with everyone else's instruments. They had always worked well together and would take turns singing and writing the music, though Gus and Fallon did most of the writing.

 

[amended]

Fallon played pretty well but nearly slipped up a couple of times, this was one of their more Psychedelic sounding songs, it didn't have the drug-like sound that most Psychedelic music has, but the tone of it was still there,

"Oh please don't give up on me, we're still in this, luckily. Oh, but I love you, yes I love you, yeah!" Fallon sings, although his lyrics might have been a tad generic, it was the tone of the song that blends with his vocals that make up for it.​

 

[Johnny R McAvery]

When the song ended Gus cheered. "That wasnbloody good. now if only we could get us a record company. Am I right lads. Anyways get ready for lighting struck." Of was his song thatbthwbwrote and would be singing. And like most of his songs he only wrote for his instrument. The others would play what they thought fit. It had taken them time to get everything right but they were ready for it to be recorded now.

 

[amended]

Fallon didn't want to tamper the song too much, he simply adds in a subtle riff to put some flavor into the song.

​

 

[Johnny R McAvery]

The song was about a man who has meet every fate depicted in teracards and haad started out fairly happy with the men succeeded and finding love, only to have everything end badly and how was struck by lighting from a top of a tower, leading him to fall to his death. It was a metaphor for how things for no reason could change.